Alan Furst Quotes

 

I don’t work Sunday any more… The Sabbath is a very reasonable idea. Otherwise, you work yourself to death.

 

When you move a border, suddenly life changes violently. I write about nationality.

— Alan Furst

I am a historian. I do a lot of research, and I try to get it right.

— Alan Furst

I started out when I was 29 – too young to write novels. I was broke. I was on unemployment insurance. I was supposed to be writing a Ph.D. dissertation, so I had a typewriter and a lot of paper.

— Alan Furst

I love Paris for the million reasons that everybody loves the city. It’s an incredibly romantic and beautiful place.

— Alan Furst

Romantic love, or sex, is the only good thing in a life that is being lived in a dark way.

— Alan Furst

The best Paris I know now is in my head.

— Alan Furst

I don’t just want my books to be about the ’30s and ’40s. I want them to read as if they had been written then. I think of them as ’40s novels, written in the conservative narrative past.

— Alan Furst

I’m basically an Upper West Side Jewish writer.

— Alan Furst

You can’t make accommodations in crucial situations and be heroic.

— Alan Furst

You write a lot of books; you hope you get better.

— Alan Furst

I invented the historical spy novel.

— Alan Furst

I have a very serious censorship office inside my head; it censors things that I could tell you that you would never forget, and I don’t want to be the person to stick that in your brain.

— Alan Furst

I don’t really write plots. I use history as the engine that drives everything.

— Alan Furst

If you can live in Paris, maybe you should.

— Alan Furst

My novels are about the European reality, not about chases. You want chases, get somebody else’s books.

— Alan Furst

I grew up reading genre writers, and to the degree that Eric Ambler and Graham Greene are genre writers, I’m a genre writer.

— Alan Furst

I read very little contemporary anything.

— Alan Furst

I don’t inflict horrors on readers. In my research, I’ve uncovered truly terrible documentations of cruelty and torture, but I leave that offstage. I always pull back and let the reader imagine the details. We all know to one degree or another the horrors of war.

— Alan Furst

I’m not really a mass market writer.

— Alan Furst

If you’re a writer, you’re always working.

— Alan Furst

Once you have your characters, they tell you what to write, you don’t tell them.

— Alan Furst

I write what I call ‘novels of consolation’ for people who are bright and sophisticated.

— Alan Furst

I expect that my readers have been to Europe, I expect them to have some feeling for a foreign language, I expect them to have read books – there are a lot of people like that! That’s my audience.

— Alan Furst

Whether you like it or not, Paris is the beating heart of Western civilisation. It’s where it all began and ended.

— Alan Furst

Good people don’t spend their time being good. Good people want to spend their time mowing the lawn and playing with the dog. But bad people spend all their time being bad. It is all they think about.

— Alan Furst

The idea that someone is going to write me, and I’m not going to answer – I was just raised not to do that. We are the result of our upbringing, and my upbringing was very much to meet obligations… You just didn’t let things go.

— Alan Furst

It takes me three months of research and nine months of work to produce a book. When I start writing, I do two pages a day; if I’m gonna do 320, that’s 160 days.

— Alan Furst

My grandmother, whom I adored, and who partly raised me, loved Liberace, and she watched Liberace every afternoon, and when she watched Liberace, she’d get dressed up and put on makeup because I think she thought if she could see Liberace, Liberace could see her.

— Alan Furst

I don’t work Sunday any more… The Sabbath is a very reasonable idea. Otherwise, you work yourself to death.

— Alan Furst

I wrote three mysteries and then a contemporary spy novel that was unbelievably derivative – completely based on ‘The Conversation,’ the movie with Gene Hackman. Amazingly, the character in the book looks exactly like… Gene Hackman.

— Alan Furst

What you get in the Cold War is ‘the wilderness of mirrors’ where you have to figure out what’s good and what’s evil. That’s good for John le Carre, but not me.

— Alan Furst

Anthony Powell taught me to write; he has such brilliant control of the mechanics of the novel.

— Alan Furst

Le Carre’s voice – patrician, cold, brilliant and amused – was perfect for the wilderness-of-mirrors undertow of the Cold War, and George Smiley is the all-time harassed bureaucrat of spy fiction.

— Alan Furst

I write about the period 1933-42, and I read books written during those years: books by foreign correspondents of the time, histories of the time written contemporaneously or just afterwards, autobiographies and biographies of people who were there, present-day histories of the period, and novels written during those times.

— Alan Furst

I was raised on John D. MacDonald’s Travis McGee series. Something about this genre – hard-boiled-private-eye-with-heart-of-gold – never failed to take me away from whatever difficulties haunted my daily world to a wonderful land where I was no more than an enthralled spectator.

— Alan Furst

When I read period material – and it ain’t on Google – I am always alert for that one incredible detail. I’ll read a whole book and get three words out of it, but they’ll be three really good words.

— Alan Furst

In the 1930s, there were so many different conflicts going on between the British, the French, the Russians, the Germans, the Spaniards, the Romanians and so on.

— Alan Furst

What I discovered is I don’t like to repeat lead characters because one of the most pleasurable things in a book to me is learning about the lead.

— Alan Furst

Let me put it this way: I don’t plan to retire. What would I do, become a brain surgeon? I mean, a brain surgeon can retire and write novels, but a novelist can’t retire and do brain surgery – or at least he better not.

— Alan Furst

I just became what I call an ‘anti-fascist novelist.’ There is no word that covers both the fascists and the Communists, which mean different things to people, but of course they’re the same: they’re tyranny states.

— Alan Furst

You have to have heart’s passion to write a novel.

— Alan Furst

A book must have moral purpose to be any good. Why, I don’t know.

— Alan Furst

I am there to entertain. I call my work high escape fiction; it’s high, it’s good – but it’s escape, and I have no delusions about that. I have no ambition to be a serious writer, whatever that means.

— Alan Furst

Poland is a wildly dramatic and tragic story. It’s just unbelievable what went on with those people. How they survive, I don’t really know. The Germans had a particular hatred for the Poles; they really considered them subhuman Slavs, and they were very brutal to them.

— Alan Furst

If you read the history of the national Socialist party, they’re all people who felt like life should have been better to them. They’re disappointed, vengeful, angry.

— Alan Furst

If I’m a genre writer, I’m at the edge. In the end, they do work like genre fiction. You have a hero, there’s a love interest, there’s always a chase, there’s fighting of some kind. You don’t have to do that in a novel. But you do in a genre novel.

— Alan Furst

I had a publishing history of murder mysteries.

— Alan Furst

I chose a time in the century which had the greatest moments for novels – the late ’30s and World War II.

— Alan Furst

I basically wrote five books with ‘Night Soldiers,’ called them novellas, and came in with a 600-page manuscript.

— Alan Furst

I’d never been in a police state. I didn’t know what it was. I knew that it was, in the general way that people know that two and two is four, but it had no emotional value for me until I found myself in the middle of it.

— Alan Furst

My theory is that sometimes writers write books because they want to read them, and they aren’t there to be read. And I think that was true of me.

— Alan Furst

I would have loved to have another 10 Eric Ambler books.

— Alan Furst

I’ve never lived in Eastern Europe, although both my wife and I have ancestors in Poland and Russia – but I can see the scenes I create.

— Alan Furst

Yes, I’m a reasonably good self-taught historian of the 1930s and ’40s. I’ve never wanted to write about another time or place. I wouldn’t know what to say about contemporary society.

— Alan Furst

I started writing in my 20s. I just wanted to write, but I didn’t have anything to write about, so in the beginning, I wrote entertainments – mainly murder mysteries.

— Alan Furst

For me, Anthony Powell is a religion. I read ‘A Dance to the Music of Time’ every few years.

— Alan Furst

I think I honestly invented my own genre, the historical spy novel.

— Alan Furst

Moscow had this incredible, intense atmosphere of intrigue and darkness and secrecy.

— Alan Furst

Spy novels are traditionally about lone wolves, but how many people actually live like that?

— Alan Furst

I was going to be the best failed novelist in Paris. That was certainly not the worst thing in the world that one could be.

— Alan Furst

I’ve evolved in my writing to tell a more emotional story – my publisher, Random House, has urged that.

— Alan Furst

People know accuracy when they read it; they can feel it.

— Alan Furst

The 1930s was a funny time. People knew they might not live for another six months, so if they were attracted to one another, there was no time to dawdle.

— Alan Furst

For something that’s supposed to be secret, there is a lot of intelligence history. Every time I read one book, two more are published.

— Alan Furst

I could not spend the rest of my life sitting in Brazil writing down who called whom uncle and aunt.

— Alan Furst

You could be a victim, you could be a hero, you could be a villain, or you could be a fugitive. But you could not just stand by. If you were in Europe between 1933 and 1945, you had to be something.

— Alan Furst

My father died when I was young, and my mother, Ruth, went to work in an office selling theater and movie parties. She put me through private school, Horace Mann, in Riverdale. She sent me to camp so that I would learn to compete. She was a lioness, and I was her cub.

— Alan Furst

I wrote out little mysteries in longhand, and my mother typed them out on an old Remington.

— Alan Furst

I never got any training in how to write novels as an English major at Oberlin, but I got some great training for writing novels from anthropology and from Margaret Mead.

— Alan Furst

Women take great care of themselves in France. It’s a culture dedicated to making women beautiful and to manners.

— Alan Furst

French women will always look up at a man, even if he is four inches shorter than she is.

— Alan Furst

We’re the roughest people in the way we play and live, and that is because Americans come from people who all got up one morning and went 5,000 miles, and that was a time in the 19th century when it wasn’t so easy to do.

— Alan Furst

I read very little contemporary anything… I don’t think I read what other people read, but then why would I, considering what I do?

— Alan Furst

I love the gray areas, but I like the gray areas as considered by bright, educated, courageous people.

— Alan Furst

I figured I would always be a candidate for man of the year in the virtue-is-its-own-reward category. What that did was force me to concentrate on the work.

— Alan Furst

I had the experience of a monk copying documents, applying myself assiduously to my work. And I thought whatever happened, happened – this is just what I do in my life.

— Alan Furst

Seattle’s support system got me through those early, difficult years. It was a very funky, very friendly, very relaxed place that had it all for a writer.

— Alan Furst

I love the combination of the words ‘spies’ and ‘Balkans.’ It’s like meat and potatoes.

— Alan Furst

The only way you can handle big kinds of questions is to simply state briefly what the truth was. What am I going to tell you about the Holocaust? Would you like three pages about it? I don’t think you would… I don’t think anything different than you think – it was horrible.

— Alan Furst

Graham Greene’s work must be included in any survey of top-rank spy novels, and ‘Our Man in Havana’ may be his best.

— Alan Furst

‘The Levanter’ features some of the strongest action scenes to be found in Ambler – who can, in some of his fiction, stay in one place for a whole novel.

— Alan Furst

Fast-paced from start to finish, ‘The Honourable Schoolboy’ is fired by le Carre’s conviction regarding evil done and its consequences.

— Alan Furst

I look for the dark story, where something secret was done. I read and read and pick up the trail of a true story. I use nothing but true stories. They are so much better than phony ones.

— Alan Furst

I knew I was a writer; I wanted to be a writer, but I didn’t know what to write.

— Alan Furst

The brutalization of humans by other humans never fails to get to me in some angry-making way. It shot up in me like an explosion.

— Alan Furst

I like to say I sit alone in my room, and I fight the language. I am wildly obsessive. I can’t let something go if I think it’s wrong.

— Alan Furst

I’ve always liked lost, old New York.

— Alan Furst

I never wanted to be a Cold War novelist.

— Alan Furst

For John le Carre, it was always who’s betraying who: the hall-of-mirrors kind of thing. When you go back to the ’30s, it’s a case of good vs. evil, and no kidding. When I have a hero who believes France and Britain are on the right side, a reader is not going to question that.

— Alan Furst

Struggling writers are often advised to pick a simple genre, but it doesn’t work that way.

— Alan Furst

Robert Ludlum, all of them, write the absolute best they can. You can’t tone it down. You just do what you do, and if it comes out literary, so be it.

— Alan Furst

The way I work: I pick a country. I learn the political history – I mean I really learn it; I read until it sinks in. Once I read the political history, I can project and find the clandestine history. And then I people it with the characters.

— Alan Furst

Venice has always fascinated me. Every country in Europe then was run by kings and the Vatican except Venice, which was basically run by councils. I’ve always wondered why.

— Alan Furst

I spend my life writing fiction, so reading fiction isn’t much of an escape. That’s not always true, but I don’t read much contemporary fiction.

— Alan Furst

When I get asked about novelists I like, they tend to be white, male, and British, like Graham Greene. They write the kind of declarative sentences I like. I don’t like to be deflected by acrobatics.

— Alan Furst

When I went to prep school in New York City, I had to ride the subway and learned how to do homework on the train. I can work and read through anything.

— Alan Furst

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