What I find most satisfying about photography is the way in which it allows me to document ‘reality’ while at the same time creating my own version thereof; in other words, the reality I present is a reality based upon what I choose to include in the frame and what I choose to leave out.
I refer to what I do as ‘conceptual portraits,’ meaning that I come up with an idea or concept that I would like to explore, and then I find people that fit that idea.
For me, art has to have two things to really blow me away: a strong concept and drama.
For me, the world is a stage, and we are all playing the character we have chosen to play on that stage. It is the job of the photographer to capture the drama of the performance.
I felt the most effective way to change people’s perception was through the power of images.
I actually think that ‘States of Union’ will be a lifelong endeavor for me. It won’t take up all my energy as it has in recent years, but I imagine that I will always continue to add to the body of work – the project of documentation will never be entirely complete.